which would have made it impossible for the driver to identify him as Asian.

These films expand our perceptual boundaries and sharpen our ability to decode images.which consisted of Zen aesthetics and Japanese spiritualism rather than actual Japanese American culture.

to see from other perspectives.But learning is more than producing outputs.he first encountered both the Japanese language and a visible Asian American community.

Weve lost anticipation and dialogue.Language classes seemed very conformist.

But cinema needs individualistic protagonists.

or Kazuo Haras Goodbye CP — which chronicled the lives of people with cerebral palsy — forced audiences to confront political and social realities directly.the movement for social justice.

the first production of J-Town/Bronzeville Suite was performed at JANM.Theo Sanders (piano) and Shiwei Wu (taiko).

building a new community with a vibrant jazz scene that becomes known as Bronzeville.During World War II when Americans of Japanese ancestry were forced from their homes and imprisoned in concentration camps.